Monday, 19 August 2013
Counterfeit Conundrum
Copying a piece of art or music is considered, not only unethical, but illegal as it breaches terms of copyright, piracy and trademark policies. However in the fashion industry copycats are barely noticed. Why is that you may ask? Designing and constructing clothes is based off of already constructed frameworks. You cannot be persecuted for making a jumper because another designer has already made a jumper. If that were the case the term 'jumper' would not be a global term. Shirts, dresses, skirts, pants, shorts, jeans, t-shirts, jackets, jumpers, knits, socks, and under garments are often identical around the world. The stitching, the material and the colours may even be identical. The designs and patterns on the garment itself may be similar. This copying does exist but is not frowned upon in the industry as it is the reason trends exist. For this reason 'the clothing and retail business is also among the fastest growing industries in several parts of the world' (Okonkwo, 2007, p.2).
While clothes may be designed the same, look the same and feel the same, the brands will differ which cannot be copied. Brand names and logos have trademark laws connected to them so same products names cannot be displayed on clothing. This is how counterfeit items are created and distributed illegally. The following video explains how the fashion industry combats this issue.
http://www.youtube.com/watch?v=zL2FOrx41N0
The counterfeit 'trend' is typically noted in Asian countries where production is less costly. This affects both the designer, as they are not getting commission for their work and their brand is being abused with cheaper material and products lacking quality, and the consumer who is being mislead into buying a product that is not a real designer label and is not up to the quality standard of the original. 'It is estimated that up to 7 percent of our annual world trade — $600 billion worth — is counterfeit or pirated; that fakes are believed to be directly responsible for the loss of more than 750,000 American jobs' (Thomas, 2010). The tactic of exposure is used in this case to combat both designer, economic and consumer outrage. By making the public aware of rip off brands through media advertisement and supplying certificates for real designs people are able to protect themselves along with the fashion industry from being cheated.
Reference List
Johanna Blakely: Lessons from Fashion's Free Culture 2010, YouTube, Ted Talks Director, 25 May, retrieved 19 August 2013, <http://www.youtube.com/watch?v=zL2FOrx41N0>
Okonkwo, U 2007, Luxury Fashion Branding: Trends, Tactics and Techniques, Palgrave MacMillan, retrieved 19 August 2013, <http://books.google.com.au/books?hl=en&lr=&id=a_6CublRtYwC&oi=fnd&pg=PR10&dq=trends+definition+in+the+fashion+industry&ots=9ajjuIlnb9&sig=cwO_U-Uv4vwjFH6Z2z7Sgfi2A5w#v=onepage&q=trends%20definition%20in%20the%20fashion%20industry&f=false>
Thomas, D 2010, 'The Fight Against Fakes', Harpers Bazaar, 30 November, p.2, retrieved 19 August 2013, <http://www.harpersbazaar.com/magazine/feature-articles/the-fight-againstfakes-0109_>
Monday, 5 August 2013
Globalisation Turning Business Online
www.newsoperatingsystem.com
'Globalization involves more intensive interaction across wider space and in shorter time than before, in other words the experience of a shrinking world' (Nederveen Pieterse, J 2004). Technological factors have been a major contributor in allowing for this compression of time and space in terms of information transfer, media flows and capital flows. The world has become an online unit where we source all of our information through media sources. This has led to a shift in the media industry, particularly in news media.
Media empires such as the Rupert Murdoch Empire have had to transfer much of their production into online services. Wikipedia is typically used as a source of information however its credibility is not to standard as anyone can add information to the site (Lih, 2004). For this reason along with the need to cater for the online revolution the Rupert Murdoch News of the World Empire, along with majority of the news facilitators, has expanded into having an online news source. Print media is no longer a dominant source of information as a result of this time and space compression. Breaking news is known within seconds of it occurring and broadcast across the world instantaneously. The following video highlights the transfer of news to online media and the effects it has had on the print media industry.
http://www.youtube.com/watch?v=IZhBYLsa9Ro
On top of the news having an online identity we can also see other industries following the trend. Shopping, business endeavours, marketing and advertising, banking and further communication have expanded into internet options as well. Social media has been a significant tactic used by organisations to target their publics in terms of information and media flows through exposure. News organisations keep the public up-to-date with current affairs through Twitter in particular and Facebook. Facebook is a direct information scape for myself, along with majority of the users who view it is the morning paper, scrolling through the 'news feed'.'Organisations in the public eye could operate with little concern for their interaction with consumers. Now that every consumer online is a commentator, reviewer and publisher, all organisations have to stop talking and start listening to how they are perceived' (Smith, p560). These trends have meant that news empires have to adapt and take advantage of media growth to continue being successful.
Reference List
Lih, A 2004, Wikipedia as Participatory Journalism: Reliable Sources? Metrics for evaluating collaborative media as a news resource, University of Hong Kong, retrieved 5 August 2013, <http://www.ufrgs.br/limc/participativo/pdf/wikipedia.pdf>
Media in a Digital Age 2012, YouTube, University Rochester, 21 February, retrieved 5 August 2013, <http://www.youtube.com/watch?v=IZhBYLsa9Ro>
Nederveen Pieterse, J 2004, ‘Globalization: consensus and controversies’, Globalization and culture: global mélange, Rowan & Littlefield, Lanham, Md., pp. 7–21.
Smith, T 2006, 'The Social Media Revolution', International Journal of Market Research, vol. 51, no. 4, p.560, retreived 5 August 2006, <http://web.efzg.hr/dok/MAR/vskare/kolegiji/im/materijali/The_social_media_revolution.pdf>
'Globalization involves more intensive interaction across wider space and in shorter time than before, in other words the experience of a shrinking world' (Nederveen Pieterse, J 2004). Technological factors have been a major contributor in allowing for this compression of time and space in terms of information transfer, media flows and capital flows. The world has become an online unit where we source all of our information through media sources. This has led to a shift in the media industry, particularly in news media.
Media empires such as the Rupert Murdoch Empire have had to transfer much of their production into online services. Wikipedia is typically used as a source of information however its credibility is not to standard as anyone can add information to the site (Lih, 2004). For this reason along with the need to cater for the online revolution the Rupert Murdoch News of the World Empire, along with majority of the news facilitators, has expanded into having an online news source. Print media is no longer a dominant source of information as a result of this time and space compression. Breaking news is known within seconds of it occurring and broadcast across the world instantaneously. The following video highlights the transfer of news to online media and the effects it has had on the print media industry.
http://www.youtube.com/watch?v=IZhBYLsa9Ro
On top of the news having an online identity we can also see other industries following the trend. Shopping, business endeavours, marketing and advertising, banking and further communication have expanded into internet options as well. Social media has been a significant tactic used by organisations to target their publics in terms of information and media flows through exposure. News organisations keep the public up-to-date with current affairs through Twitter in particular and Facebook. Facebook is a direct information scape for myself, along with majority of the users who view it is the morning paper, scrolling through the 'news feed'.'Organisations in the public eye could operate with little concern for their interaction with consumers. Now that every consumer online is a commentator, reviewer and publisher, all organisations have to stop talking and start listening to how they are perceived' (Smith, p560). These trends have meant that news empires have to adapt and take advantage of media growth to continue being successful.
Reference List
Lih, A 2004, Wikipedia as Participatory Journalism: Reliable Sources? Metrics for evaluating collaborative media as a news resource, University of Hong Kong, retrieved 5 August 2013, <http://www.ufrgs.br/limc/participativo/pdf/wikipedia.pdf>
Media in a Digital Age 2012, YouTube, University Rochester, 21 February, retrieved 5 August 2013, <http://www.youtube.com/watch?v=IZhBYLsa9Ro>
Nederveen Pieterse, J 2004, ‘Globalization: consensus and controversies’, Globalization and culture: global mélange, Rowan & Littlefield, Lanham, Md., pp. 7–21.
Smith, T 2006, 'The Social Media Revolution', International Journal of Market Research, vol. 51, no. 4, p.560, retreived 5 August 2006, <http://web.efzg.hr/dok/MAR/vskare/kolegiji/im/materijali/The_social_media_revolution.pdf>
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