The film industry has been said to be experiencing a backflip with Hollywood integrating Asian film techniques into their production and Asian films basing their production on 'Hollywoodised' ways (incorporating Hollywood production into Asian cinema (Klein, 2004, p. 369)).
Christina Klein in particular discussed this notion a decade ago noting the movie Kill Bill (2004) as being a perfect illustration of her argument. Kill Bill directed by Quentin Tarantino includes elements of cinema stereotypical to Asian production methods. The use of martial arts and sound effects during fighting scenes emphasises this along with the chosen music in scenes as you can see in the following YouTube Trailer. Klein states that 'Hollywood today (a decade ago) is fascinated with martial arts to an extent unseen since the heyday of Bruce Lee in the early 1970s' (p. 360). This is still evident today.
Christina Klein in particular discussed this notion a decade ago noting the movie Kill Bill (2004) as being a perfect illustration of her argument. Kill Bill directed by Quentin Tarantino includes elements of cinema stereotypical to Asian production methods. The use of martial arts and sound effects during fighting scenes emphasises this along with the chosen music in scenes as you can see in the following YouTube Trailer. Klein states that 'Hollywood today (a decade ago) is fascinated with martial arts to an extent unseen since the heyday of Bruce Lee in the early 1970s' (p. 360). This is still evident today.
The 2010 movie 'Kickass' and its sequel previewing this year, 'Kickass 2', continues with this theme of martial arts, fighting and prominent sound effects being used. Huaiting Wu and Joseph Man Chan (2007) state that 'oriental culture is globalized against the odds as predicted by theories of cultural imperialism' through the case study of the blockbuster Crouching Tiger, Hidden Dragon. They note the influence of martial arts within cinema and its growing culture in the industry. Kickass is one example of the takeover. Several other recent films in this category include Dragon Eyes, The Man With The Iron Fists, and the remake of the Karate Kid (2010).
Similarly television series are taking on the Asianised stance specifically in the anime or cartoon sector. The 'Merriam-Webster online website definition for anime is, “a style of animation originating in
Japan that is characterized by stark colorful graphics depicting vibrant characters in action-filled
plots often with fantastic or futuristic themes.”' (p. 1) Several American shows have adopted these styles and incorporated Japanese context. Avatar The Last Airbender falls under this blanket being a Nickeledeon production however being branded an anime is controversial as it is not of Japanese orientation. This video discusses how anime is now a problematic concept with the American cartoons.
Asian films have also become Hollywoodised, incorporating the typical Western love story into their movies. One of the major films that stands out in this factor is London, Paris, New York which looks like a typical 'chick flick'. The storyline follows that of a Hollywood film in that two individuals meet and through their differences end up finding love. The cover of the film even represents the hollywoodised, somewhat cheesy, love story.
Both Hollywood and Asian films are expanding their market globally by trying to incorporate a culturally different approach.
Reference List
Frost Bite: The Definition of Anime 2013, YouTube, Glass Reflection, 25 July, retrieved 26 September 2013, <http://www.youtube.com/watch?v=p51neLsWE-4>
IMDb 2012, 'London Paris New York (2012), retrieved 26 September 2013, <http://www.imdb.com/title/tt2064849/>
Kick-Ass 2 Trailer 2013 Jim Carrey Movie- Official Theatrical Trailer 3 [HD] 2013, YouTube, Cieon Movies, 18 June, retrieved 26 September 2013, <http://www.youtube.com/watch?v=G4p4VyP3tH4>
Kill Bill- Trailer 2007, YouTube, George Huange, 5 January, retrieved 26 September 2013, <http://www.youtube.com/watch?v=-czwy-aVbbU>
Klein, C 2004, 'Martial arts and the globalization of US and Asian film industries', Comparative American Studies; An International Journal, vol. 2, no. 3, p. 360, retrieved 24 September 2013, <https://d2l.deakin.edu.au/d2l/le/content/143750/viewContent/1985501/View>
Klein, C 2004, 'Martial arts and the globalization of US and Asian film industries', Comparative American Studies; An International Journal, vol. 2, no. 3, p. 369, retrieved 24 September 2013, <https://d2l.deakin.edu.au/d2l/le/content/143750/viewContent/1985501/View>
Trygstad, J 2007, Living through Death in Anime, North Dakota State University, retrieved 26 Septemder 2013, <http://library.ndsu.edu/tools/dspace/load/?file=/repository/bitstream/handle/10365/22367/LivingThroughDeathInAnime.pdf?sequence=2>
Wu, H & Man Chan, J 2007, 'Globalizing Chinese martial arts cinema: the global-local alliance and the production of Crouching Tiger, Hidden Dragon', Media Culture Society, vol. 29, no. 2, p. 195, retrieved 26 September 2013, <http://mcs.sagepub.com/content/29/2/195.short>